Interview
with Joey Bland
By:
Ali
Joey
Bland has been a performer with the Improvised Shakespeare Company
for the past seven years. The Improvised Shakespeare Company will be
performing at The Broward Center for the Performing Arts October
19th, 2013
When did you begin acting?
I started like a lot of people start,
in high school doing theater stuff and then I did a lot of that in
college as well. So I did regular plays in high school. I did the
musicals in high school. Then in college I also joined our college
improv group, which was sort of something I didn't have a lot of
experience with and then that became my favorite thing to do in
college. And then when I graduated I moved to Chicago to take more
improv classes and study; And that's where I started acting
professionally. I've been doing the theater for about twelve years.
When did you first get interested in
Shakespeare?
Probably about the
same time, high school. I guess everything started there. I had to
read some parts for high school. I had to read Romeo and Juliet
and I didn't really love that. I had to read Hamlet in my
high school and I thought it was ok. And then I read Henry IIII
part one, we got assigned that and I thought it was the coolest thing
I'd read in a long time. Then I just started reading a lot of it on
my own. I took Shakespeare classes in college and stuff like that,
and then this group got put together seven years ago and I was one of
the first people who as asked to be a part of it, because I knew the
guy who was running it and he liked me and I liked him and he kind of
had an idea about how to do the show.
That's great, do you have a favorite
Shakespeare play?
My favorite is probably Hamlet,
I feel like it's sort of the greatest bit of Shakespeare. It's a
pretty big one and a pretty standard one but that's always been my
favorite.
So being in this show how is the
role that you do different from any of the roles you've done in the
past with other shows that you've been in?
Well the fun thing
about this show is every time we do the show it's completely
different. Every show is improvised and made up on the spot so we
have no idea what's going to happen in the show once we start. And
the fun of it is every time I do it I get to play a different kind of
character. I'll play a king, I'll play the villain, I'll play a young
lover, sometimes I'll even play the young girls that the lover loves,
I'll be the girl lover, the boy lover, whatever. The guys in the show
play all the different parts. Every show's completely different and
so it's always different from anything I've ever done, every show in
that we do with Improvised Shakespeare Company is different.
So then tell me what what you think
about doing an entire show improvised. What are the challenges and
what do you like about it?
What I like about
it is the constant surprise. So the audience never really realizes
that every time they're surprised by the show, we are too. We just
have to try to stay in the show and not laugh as hard as they are
laughing. That's the fun of it, the constant surprise. The challenge
sometimes is listening to everything that's going on and remembering
everything that's going on in the show because for that hour and a
half we create this world and it's all brand new, so if somebody
calls me, “Antonio” I've got to remember that. And we're all good
at doing that, we don't mess that up very often, but that's really
the challenge of the show, to focus on all the details and make every
little thing that happens in the show important no matter how small
it is. So if somebody refers to the fact that there's going to be a
party we have to make that party a big deal. Everything has to be
kind of picked up and made important. And that's the challenge of
improv, is to listen to everything and make everything really
important.
Have you ever made a really big
mistake when you're improvising a play, that you can look back now
and laugh at?
Yeah, I wish I
could think of a specific one but we've all messed up each other's
names and things. A lot of times in the show we will rhyme stuff so
that it fits with Shakespeare. Sometimes we'll make up songs for the
show where we'll do a monologue that rhymes, and anytime you're
rhyming you can get trapped in a corner cause you don't really know
where you're going and we mess those things up all the time. The fun
thing about improv is that any mistake you make someone can instantly
make important, so if a guy in the show has been named Marcus and
everyone has called him Marcus and then I go out and call him Julius,
he can always fix that by making himself be a different character or
correcting me to say, “Oh his name is Marcus Julius” whatever it
is, there's no real mistake you can make that won't get fixed or
celebrated as part of the pattern. It's kind of like whatever pattern
you think you're playing and somebody breaks it, that becomes the new
pattern. And so with improv it's kind of cool because you stop
thinking in terms of mistakes or failing or getting stuck or messing
up, all of those things become part of the way you play.
How do you prepare or practice for a
roll that is completely improvised?
That's a good
question. For kind of a metaphor it's like initial practicing for a
sport. So if you're a basketball you never know what's going to
happen when you go in the court and play the game, but you should
certainly practice. So you practice all the drills on delivering
plays, you do exercises to keep your body fit, you practice drills on
shooting, you can also practice free throws, lay outs,
three-pointers, all that stuff. So we're able to practice parts of
our show for example, like I said we rhyme stuff in the show
sometimes, so we have drills to play were we challenge each other to
rhyme or we challenge ourselves to doing lots of rhymes, we practice
doing plays that of course we'll never do the plays we do in practice
again. Just drilling the whole mindset you have to be in for improv
and just being playful. The more times you spend in that mindset the
easier it is to get in front of an audience. So we practice and
practice but what happens on the day of the show we have no idea. We
just hope that we've worked that muscle enough.
So, performing Shakespeare there's a
lot of vocabulary you use that we don't really hear very often
anymore. What's the most interesting word you have learned from your
shows?
Well, that's
funny. You know, it's funny because we read a lot of Shakespeare
together and we do vocab tests with each other and we learn all these
crazy words. Sometimes we'll do a vocab test and we'll challenge each
other to all these new words and for a while the words we learn will
be in every play because we're trying to work them hard. There was a
time when we had a vocab list with the word, “conventicle” in it,
which is like basically a little convent, which is like a little
meeting or a little room and so we were using that word every time we
wanted to talk to each other. We were like, “could I go to the
conventicle with you?” so we pushed it really, really hard and then
we were like we are way overusing that word so we stopped doing it.
So we learn new words and then we practice them hard to use them in
the show and force them into the show sometimes and then eventually
they stick. It's funny too that a lot of people attribute things to
Shakespeare, that he created a lot of new words or at least the first
time certain words were kind of written in literature, they appeared
in Shakespeare. So some of that might be coincidental that he was
just the first person to write it down. But sometimes we kind of
think that Shakespeare coined certain words that we use today. And so
sometimes what we'll do is by accident we'll mess up a word or screw
something up, we'll create brand new words in the show and we'll
leave those as part of the language even though they mean nothing.
And I can't really think of any examples right off the bat with
those, but the fun thing is we can kind of create new words as well.
What's one of the most important
things you've learned in your entire acting career so far?
As an actor you
learn that you never work alone so all the things that sound really
really basic like, work well with others, are really important
whether you're offstage, onstage. You kind of work off of your
reputation to a degree too so if you're tough to be around or with
our show we tour so much, if you're tough to tour with it could
result in you getting less work and less of those opportunities so
you kind of realize that everything you do offstage, just being a
personable person, and a good, kind of cool person to be around as a
friend so to speak, all of this really plays into your role, you get
a reputation pretty quick. So if somebody is tough to be with, it
travels through communities pretty quickly if that makes sense, but
basically you learn that it's not all about your skills, as an actor
but it's a lot of stuff you don't think about, like the kind of
person someone wants to be around. That's really important.
Some of the people that are going to
read this interview will be young, aspiring actors. Do you have any
advice for them?
Basically I think,
acting is a game where you don't always feel like you have a lot of
power because people are very often telling you yes and no as far as
either someone's offering you a job or you're trying to get a job and
it's not going your way. So sometimes you feel powerless as a
performer because you're not getting the parts you want or you're not
getting enough parts. You can put more power in your own career or
your own job as an actor by doing a lot of different things, for
example: one thing you don't think about lots as an actor is you can
write, you know you can practice writing. As an actor sometimes it's
a good idea to make work for yourself. To create parts for yourself,
to create opportunities for yourself, to put together your own group
of actors or your own pieces. Even if they're small-scale and they
feel like they're silly and nobody is going to come see them. The
more you can do to empower yourself is always a good idea. And on
that level too it's always really cool as an actor, especially when
you're young to take classes in things that you don't know how to do
or know much about. Practical things like learning how to play a
musical instrument. I know really basic guitar and it's only stuff I
learned from having to do it for parts. If I started taking guitar
lessons when I was fifteen I'd have so much experience on it and
that's such a valuable skill for performance. Taking singing classes,
dancing classes, even acrobat classes or those kinds of weird
physical skills, learning how to juggle, all that stuff can lead to
cool jobs as well as ways to make characters seem more fun. You can
be a character and say, “oh you know I can juggle also” the
directors will love that kind of stuff. So learning those neat skills
when you're young and when you're a teenager you'll realize how much
time you have. You can put years into a funny little skill like that
and by the time you're twenty-five and you can still play anything
you want you got ten years of guitar behind you or dance if you've
got a lot of experience. So take as many classes as you can on
anything weird like that.
I have one final question: if you
hadn't been born in this century, when and where would you choose to
live?
That's hilarious,
that's a great question! If I wasn't born when I was I think, I mean
the obvious answer to this would be, “It would be cool to live in
Elizabethan England” and I think if it wasn't such a terrifying
time, you know my chances of being killed in Elizabethan England
would be pretty high probably and my chance of being really sick and
dying; well certainly it's a less friendly place to be. But I think
that era and that time period are so amazing with everything that was
going on in England and London and also shooting out from there into
uncharted continents and stuff is really cool too. I also think, it
would be cool to live in Renaissance Italy or something like that.
They probably didn't know it at the time, but maybe they did, that
those kinds of times in history, when it got to us, when it got to
the twenty-first century that we would look back at those times and
be like, “that's when everything changed and everything was
different.” It would be cool to be at a place like that, I wonder
did they know, like, “man we are really changing culture, we are
changing everything right now.”
